Donald Trump, Producer-in-Chief
What does it mean to have a President who views his time in office as the biggest, bestest Andrew Lloyd Webber theatrical ever?
On Monday, Donald Trump attended his first board meeting at the Kennedy Center for the Performing Arts since installing himself as its chairman and firing its leadership. During the session, he surveyed board members about which musical was better—“Les Misérables” or “The Phantom of the Opera”—and reminisced at length about seeing the 1982 Broadway première of “Cats” from a fourth-row seat that he’d been given. “They were treating me good because I was a young star,” he theorized, while strongly implying that he had attended the play with someone other than his wife. He fondly recalled the “gorgeous” young dancers lying onstage and the brilliance of the star singer, Betty Buckley. “Is Betty Buckley still alive?” he asked, mid-soliloquy. (She is, and is not a Trump fan.) The point, such as it was, seemed to be that he wanted to have a lot more “Cats”-style shows at the Kennedy Center, and a lot fewer of the “totally woke” modern productions that one of his fellow maga board members complained about during the meeting. Getting down to business, Trump volunteered to host a revamped version of the Kennedy Center Honors, minus the “radical-left lunatics” who had been given the prestigious award in recent years. This, he assured the board, would be good for the center, since he is “the king of ratings, right?”
We know the President of the United States said all this because someone had the presence of mind to secretly tape this inanity and send it to a reporter at the Times. As scoops go, the news value might have been minimal, but the illumination value was high—this is Trump as he sees himself, a brilliant showman who once dreamed of being a Broadway producer, an avatar of middle-brow theatrics indifferent to the arbiters of good taste and trapped in a vision of America rooted in his nineteen-eighties heyday. If the crowd loved it, then so did he. The great Times photographer Doug Mills captured Trump during his Kennedy Center visit, standing on the balcony of the Presidential box, staring down at the orchestra below in a pose that evoked his all-time favorite Andrew Lloyd Webber show, “Evita.” This was no accident. C-span footage shows that Trump produced the shot himself, directing Mills and others to come and get it. “Do you want a little picture like this?” he called down to the journalists. “Perfect,” one responded…- Susan B. Glasser, The New Yorker
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